Typography & Typeface Design

  • BAINES, P. in HASLAM, A., 2005. Type and typography. London: Laurence King.
  • BEIER, S., 2012. Reading letters : designing for legibility. Amsterdam: BIS.
  • BIEGELEISEN, J. I., 1995. Classic Typefaces and How to Use them. New York: Dover Publications.
  • BRINGHURST, R., 2002. The elements of typographic style. Point Roberts (WA): Hartley & Marks.
  • CARTER, H., 2005. A view of early typography up to about 1600. London: Hyphen.
  • CHENG, K., 2005. Designing type. New Haven: Yale University Press.
  • COLES, S., 2006. The anatomy of type : a graphic guide to 100 typefaces. New York: Harper Design.
  • DODD, R., 2006. From Gutenberg to opentype : an illustrated history of type from the earliest letterforms to the latest digital fonts. Lewes: Ilex.
  • DONALDSON, T., 2008. Shapes for sounds : (cowhouse). New York: Mark Batty.
  • DOWDING, G., 1998. An introduction to the history of Printing Types. London: The British Library.
  • GORDON, B.,2001. Making Digital Type Look Good. London: Thames and Hudson, 2001.
  • HALEY, A. 2012. TYPOGRAPHY referenced : a comprehensive visual guide to the language, history, and practice of typography. Beverly: Rockport Publishers.
  • HOCHULI, J., 2008. Detail in typography : letters, letterspacing, words, wordspacing, lines, linespacing, columns. London: Hyphen Press.
  • KINROSS, R., 2004. Modern typography : an essay in critical history. London: Hyphen Press.
  • KORGER,H., 1986. Schrift und Schreiben : ein Fachbuch für alle, die mit dem Schreiben und Zeichnen von Schriften und ihrer Anwendung zu tun haben. Leipzig : Fachbuchverlag.
  • LAWSON, A.,1990. Anatomy of a Typeface. Boston: David R. Godine Publisher.
  • LUPTON, E., 2010. Thinking with type : A critical guide for designers, writers, editors & studentsNew York: Princeton Architectural Press.
  • MIDDENDORP, J., 2012. Shaping text. Amsterdam: BIS Publishers.
  • MIDDENDORP, J., 2011. Type navigator : the independent foundries handbook. Berlin: Gestalten.
  • MORISON, S., 1997. Letter Forms: Typographic and Scriptorial. Vancouver: Hartley & Marks.
  • MOŽINA, K., 2009. Mikrotipografija. Ljubljana: Naravoslovnotehniška fakulteta.
  • NOORDZIJ, G., 2009. The Stroke, Theory of Writing. London : Hyphen Press.
  • NOORDZIJ, G., 2000. Letterletter : an inconsistent collection of tentative theories that do not claim any other authority than that of common sense. Point Roberts, WA: Hartley & Marks.
  • RUDER, E., 2009. Typographie (8th edition). Zurich: Verlag Niggli AG.
  • SMEIJERS, F., 1996. Counterpunch : making type in the sixteenth century, designing typefaces now. London: Hyphen Press.
  • SPIEKERMANN, E., 2014. Stop Stealing Sheep & find out how type works (3rd edition). San Francisco: Adobe Press.
  • TRACY, W., 2003. Letters of credit : a view of type design. Boston: David R. Godine.
  • UNGER, G., 2007. While you’re reading. New York: Mark Batty.
  • UNGER, G., 2018. Theory of Type Design. Rotterdam: nai010 publishers.
  • WITTNER, B., THOMA, S. & HARTMANN, T., 2019. Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Salenstein: Niggli.
Skip to content

Ooops...

It looks like you're using an old version of your browser.
For the best experience, please update your browser or use alternative options as Mozilla Firefox and Google Chrome.