10th Conference on Information and Graphic Arts Technology

Chair of Information and Graphic Arts Technology kindly invites you to participate at the traditional 10th Conference on Information and Graphic Arts Technology, which will take place at the Faculty of Natural Sciences and Engineering in Ljubljana, Slovenia from 29 to 30 May 2025 

The event will be an unparalleled opportunity to connect with leading researchers, industry experts and creative professionals from across the globe, all passionate about the future of graphic communications. The conference will not be merely an event, but a launching pad for new ideas, collaborations and advancements in the graphic communications industry.

We are also pleased to announce our keynote speakers. Assist. Prof. Dr. Iva Jestratijevic from the University of North Texas, USA, and Assoc. Prof. Dr. Dan Podjed from the University of Ljubljana, Slovenia, will share their expertise and insights, adding exciting dimensions to the programme of these events. Find out more about their work in sections below.

Join us as we will explore cutting-edge topics that are shaping the industry today and tomorrow. 

As a conference attendee, you will also have the opportunity to participate free of charge in the 50th International Symposium on Novelties in Textiles, which will be held simultaneously. 

We look forward to seeing you in Ljubljana. 

CIGT Organising Committee 

Keynote speakers+

Assist. prof. dr. Iva Jestratijević is an assistant professor at the University of North Texas, USA and holds a PhD in Fashion and Retail (Ohio State University – received in 2019), as well as another PhD in the Theory of Art and Media (University of Arts, Serbia – received in 2010). Her research is focused on sustainability and transformative corporative, collective and personal behaviour. Her academic mission is to challenge the status quo in the fashion industry practice, contributing to a transformative implementation of its sustainability agenda, which should help improve the way we source, produce, promote, package, use, and reuse apparel and textiles. Her research articles are published in a range of highly respected journals. In 2024, UNT Press published her book The Business of Sustainability in Fashion which should be on the reading list of every fashion student, educator and consumer of fashion. It is unique in its focus on critical and creative thinking surrounding corporate and consumer sustainability while succinctly illustrating how interdependent the challenges of being sustainable are.

In March 2024, Iva Jestratijević launched The Zero Waste Textile Initiative (ZWTI) at the University of North Texas. This sustainability initiative is geared towards the collection and redirection of textiles from landfills through creative reuse, recycling, donation and swap events. Since its inception, ZWTI has allied with partners such as the City of Denton (Solid Waste & Recycling, Sustainability Department) and so far, we have collected over 3,000 lbs (about 1360.78 kg) of textiles which was diverted through donation to partners such as UNT based Diamond Eagle Clothing Closet.


Anthropologist Dan Podjed, PhD, is a Senior Research Fellow at the Research Centre of the Slovenian Academy of Sciences and Arts (Institute of Slovenian Ethnology), an Associate Professor at the University of Ljubljana (Faculty of Arts, Department of Ethnological and Cultural Anthropology), and a Field Expert at the Institute for Innovation and Development of the University of Ljubljana. He is the founder and Executive Advisor of the Applied Anthropology Network of the European Association of Social Anthropologists (EASA) and the initiator of the international symposium Why the World Needs Anthropologists, which has been organised annually since 2013. His research focuses on isolation, crises, human-technology interactions, sustainable lifestyles, and the epistemology of everyday life. His most recent book project, Crisolation, which explores the future of people living behind four walls and in front of screens in an era of permanent crisis, has been well-received both in academic circles and by the general public.


Ingrid Heuffel Berginc, MSc, quality manager at Pipistrel d.o.o. Ajdovščina and a leading external quality system auditor, brings 24 years of experience in quality systems within the automotive and aviation industries. Employed at Pipistrel, d.o.o., for 11 years, she plays a key role in the implementation, continuous monitoring and improvement of the quality assurance system of the manufacturing and design organisation in accordance with the requirements of the international aviation agency EASA and national aviation regulations. With 2 years of experience as the CEO of Pipistrel, d.o.o., she gained significant expertise in strategic management and advancing organisational success. Her role is vital to the safe and consistent operation of the organization, driving a comprehensive quality approach across all levels of the company. Her work provides a bridge between aviation regulators, operational staff and management, ensuring full compliance with aviation standards. In addition to her operational role, she contributes to projects involving novel technologies (i.e. eVTOL) and shares her expertise with other companies, mentoring students and lecturing at professional conferences, fostering innovation and excellence in production and business processes.

Key dates+
  • 9. 12. 2024: Abstract submission and registration of attendees with contribution – DEADLINE EXTENDED!
  • 16. 12. 2024: Notification of acceptance of the submission
  • 3. 2. 2025:
    • Deadline for paper and poster submissions
    • Early bird payment deadline
    • Cancellation deadline (with full return of payment)
  • 24. 3. 2025: Finished peer review
  • 14. 4. 2025: Full paper submission and payment deadline (fee and poster printing, if applicable)
  • 10. 5. 2025: Registration deadline for non-contributing authors (only attendance)
  • 5. 5. 2025: Poster printing deadline (if payed with fee)
  • 29. in 30. 5. 2025: Conference
Conference topics+

Graphic Design and Visual Communication

  • Graphic Design 
  • Typography 
  • Image Processing 
  • Photography and Video 
  • Packaging Design 
  • Perception 
  • Representation and Diversity in Visual Media 

Digital and Interactive Media

  • Multimedia, Content Creation 
  • Storytelling 
  • Web Design 
  • Digital Marketing 
  • Social Media Influence 
  • Online Learning and Remote Collaboration 
  • Extended Reality (VR/AR/MR) and Interactive Media 
  • Virtual Environments and Interactions 

Application and User Interface Design

  • Design of Mobile Applications 
  • Design of Program Applications 
  • User Experience Design, Solutions, Evaluation Methods and Best Practices 
  • Human-Centred Design, Methods and Solutions 

3D and Advanced Printing Technologies

  • 3D Design 
  • 3D Print 
  • Functional Printing 

Print Production and Workflow Management

  • Prepress 
  • Press and Postpress 
  • Quality Control 
  • Workflow Digitalisation 
  • Graphic Standards 
  • Colour Management 
  • Graphic Systems 

Graphic Materials and Sustainability

  • Graphic Materials 
  • Packaging 
  • Ecology, Waste Management, Recycling 
  • Ethical and Sustainable Visual Content 

Emerging Technologies in Design

  • Artificial Intelligence (AI) in Design 
  • Artificial Intelligence (AI) in Photography 
  • Personalised Marketing Materials 
  • Web 3&4&5, BlockChain Technology and Solutions 
Registration, abstract submission and fees+

Registration and abstract submission

Registration form is available here: link to registration

  • In case of active participation at the conference, you will receive an email with instructions on abstract sumbission after you complete the registration.
  • Template file for abstract is available at the end of this page.
  • You will be notified about the acceptance of your submission via email until the date published in Key dates.

Fees

  • 400 EUR (Early bird: 300 EUR)
  • PhD students: 300 EUR (Early bird: 200 EUR)
  • students: lectures and networking during breaks are free of charge

The registration fee includes conference materials, lunch and snacks, and conference dinner.

In case of more participants (5) coming from the same institution or company, the registration fee will be reduced by 20 EUR for each additional participant.

Poster printing is only available upon prior agreement. Printing fee is 30 EUR and is to be payed at registration fee.


Payment

Only payment by bank transfer is possible. The deadline for payment of the registration fee is indicated among the key dates.

Payment information:

Account holder: UNIVERSITY OF LJUBLJANA, FACULTY OF NATURAL SCIENCES AND ENGINEERING
IBAN: SI56 0110 0603 0708 186
Bank: BANKA SLOVENIJE, Slovenska cesta 35, 1505 LJUBLJANA
SWIFT code: BSLJSI2X
VAT number: SI24405388
Reference: 501 5000 50950 CIGT 2025

Contacts and organising committee+

For allinformation we are available via email cigt@ntf.uni-lj.si.

Organising committee

Chair:

  • Helena Gabrijelčič Tomc − University of Ljubljana, Slovenia

Members:

  • Gregor Franken – University of Ljubljana, Slovenia
  • Matevž Hribernik – University of Ljubljana, Slovenia
  • Barbara Luštek Preskar − University of Ljubljana, Slovenia
  • Veronika Štampfl − University of Ljubljana, Slovenia
  • Tara Tkalec − University of Ljubljana, Slovenia
  • Primož Weingerl − University of Ljubljana, Slovenia

Programme and review committee

Chair:

Members:

  • Assist. Prof. dr. Jure Ahtik (Faculty of Natural Sciences and Engineering, University of Ljubljana, Slovenia)
  • Assist. Prof. Primož Fijavž (Faculty of Natural Sciences and Engineering, University of Ljubljana, Slovenia)
  • Assoc. Prof. dr. Jože Guna (Faculty of Natural Sciences and Engineering, University of Ljubljana, Slovenia)
  • Assist. Prof. dr. Klemen Možina (Faculty of Natural Sciences and Engineering, University of Ljubljana, Slovenia)
  • Assoc. Prof. dr. Tomislav Cigula (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • Anne Blayo (Grenoble INP – Pagora, UGA Graduate School of Engineering in Paper, Print Media and Biomaterials, France)
  • Prof. dr. Jesenka Pibernik (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • Prof. dr. Sanja Mahović Poljaček (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • Prof. dr. Magdolna Pal (University of Novi Sad, Faculty of Technical Sciences, Serbia)
  • Assist. Prof. ddr. Iva Jestratijević (University of North Texas, College of Merchandising, Tourism and Hospitality, Texas, USA)
  • Assoc. Prof. dr. Dimitrina Todorova (University of Chemical Technology and Metallurgy – Sofia, Department of Pulp, Paper and Printing arts, Bulgaria)
  • prof. dr. Suzana Parreira (University of Lisbon, Faculty of fine arts, Portugal )
  • prof. Gerry Leonidas (University of Reading, Department of Typography & Graphic Communication, United Kingdom)
  • prof. dr. Maja Brozović (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • prof. dr. Igor Majnarić (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • dr. Iva Šarčević (University of Zagreb, Faculty of Graphic Arts, Croatia)
  • prof. dr. Nemanja Kašiković (University of Novi Sad, Faculty of Technical Sciences, Serbia)
  • prof. dr. Živko Pavlović (University of Novi Sad, Faculty of Technical Sciences, Serbia)
  • Assoc. prof. dr. Ivana Tomić (University of Novi Sad, Faculty of Technical Sciences, Serbia)
  • dr. Marketa Držkova (University of Pardubice, Department of Graphic Arts and Photophysics, Czech Republic)
  • Dr. Ivana Tartaro Bujak (Ruđer Bošković Institute, Zagreb, Croatia)
  • Prof. dr. Anna Witek- Krowiak (Wroclaw University of Science and Technology Faculty of Chemistry, Poland)
  • Dr. Smarak Bandyopadhyay (Institute of Agrophysics (IA PAS), Poland)
  • Assoc. Prof. dr. Irma Puškarević (Wichita State University , School of Arts, Design and Creative Industries, Kansas, USA)
About us+

University of Ljubljana

The University of Ljubljana is the oldest and largest higher education and scientific research institution in Slovenia. The university with its rich tradition was founded in 1919. It has approximately 40,000 undergraduate and postgraduate students, and employs approximately 6,000 higher education teachers, researchers, assistants and administrative staff in 23 faculties and three arts academies. The central building, all three academies and faculties are located in the city centre. Some of the most recent and modern buildings were constructed on the outskirts of Ljubljana, giving the university and its students a ubiquitous presence in the city.

Faculty of Natural Sciences and Engineering

The Faculty of Natural Sciences and Engineering is unique in its composition, which is also indicated by its own name. It includes both natural and technical sciences, and also covers the field of art. Its diversity is reflected in the four departments housed at the faculty, i.e. Department of Geology, Department of Geotechnology, Mining and Environment, Department of Materials and Metallurgy, and Department of Textiles, Graphic Arts and Design. Despite the departments being autonomous and successful each in its own field, the intertwining of technology, natural sciences and art has been leading into new forms of cooperation and resounding projects.

In all the mentioned departments, we implement first, second and third level study programmes, through which we provide students with the knowledge necessary to achieve competencies. The knowledge we pass on to generations of students needs to be in step with development and time. For this reason, we support the knowledge with scientific research. Success has been recorded in publications in many domestic and foreign scientific and professional journals, and can be found in the results of national, European and other projects. The impact of artistic activities is resounding as well, the results can be admired through numerous projects and exhibitions at home and abroad. As a faculty, we cooperate in the fields we cover with domestic and foreign faculties, institutions and the economy, and we participate in professional associations and societies.

The faculty, as it is today, has existed for more than 25 years, while its roots with the beginnings of studies in the field of mining and geology go back for a century, to the year of the establishment of the University of Ljubljana. And if you stop only for a while in our buildings in Aškerčeva street, Lepi pot or Snežniška street, you can feel the intertwining of rich history with constant progress, which is the driving force of our research, teaching and work at the faculty.

Getting to the venue+

Transfer to the Ljubljana city centre

There are several comfortable taxi and shuttle services connecting the airport with Ljubljana city centre. You can book directly: NOMAGO or GoOpti.
Please see their offers and book in advance to secure an easy and stress-free shuttle service.

How to reach the venue

Faculty of Natural Sciences and Engineering
Snežniška 5
1000 Ljubljana

Link to Google Maps

BY BUS: From the main bus or railway station, the bus line no. 9 will take you to the conference venue’s immediate vicinity – the Drama National Theatre, where buses 1, 1B, 3, 6, 6B and 19 also stop. From there, it is a short walk to the conference venue or wait for the bus number 1, 1B, 6 or 6B, and they will take you even closer to the venue’s immediate vicinity (next stop Aškerčeva station – Faculty of Arts).

BY CAR: Parking in Ljubljana is subject to a charge. We suggest using the EasyPark app or nearby parking garages for parking on city streets. The nearest garage is in Šubičeva street – Maxi or in Kongresni trg.

BIKE RENTAL: Ljubljana’s public BicikeLJ bicycle-sharing system has multiple docking stations all around the city. To become a user, you need an e-mail address and a PIN code, as well as the “Urbana” city card or BicikeLJ app. The price for a week’s use of the system is €1 and €3 for the whole year.

Accommodation+

There are many accommodation options close to the faculty. We recommend you book your accommodation in time, either directly or via Booking.

Some nearby accommodations:

Hostel:

  • Vila Veselova, Veselova 14, Ljubljana, +386 (0)51 655 254

Hotel:

  • Hotel CUBO ****, Slovenska cesta 15, Ljubljana, +386 (0)1 425 60 00
  • Occidental Ljubljana, Slovenska cesta 16, Ljubljana, +386 (0)59 757 330
  • Hotel Mrak ***, Rimska cesta 4, Ljubljana, +386 (0)1 421 96 50
  • Best Western Premier Hotel Slon ****, Slovenska cesta 34, Ljubljana, +386 (0)1 470 11 00
  • Urban hotel ****, Štefanova ulica 4, Ljubljana, + 386 (0)70 355 000
Editorial policy+

The Conference on Information and Graphic Arts Technology is dedicated to publishing novel research papers in the fields of graphic communications, (multi)media, graphic design, web- and program application design, typography, prepress, 2D and 3D printing, postpress, photography, video, graphic materials, packaging, ecology, electronic publishing and other related topics listed on the Conference website.

Conference Proceedings will contain original papers that have not been published previously (original scientific paper, review paper, professional paper). Contributions to the Proceedings shall be submitted in the English language, with abstracts in English.

EDITORIAL STAFF POLICY AND RESPONSIBILITIES

The Editorial staff is responsible for deciding which articles submitted to the Proceedings will be published. They reserve the right to decide not to publish a submitted manuscript when it is found that it does not meet relevant standards concerning the content and formal aspects. The Editorial staff will inform the authors whether the manuscript is accepted for publication within one month from the date of its submission.

The Editorial staff must hold no conflict of interest regarding the articles they consider for publication. If this happens to be the case, the selection of reviewers and all decisions on that paper shall be made by the Programme committee.

The Editorial staff shall evaluate manuscripts for their intellectual content free from any racial, gender, sexual, religious, ethnic or political bias.

The Editorial staff shall take all reasonable measures to ensure that the reviewers remain anonymous to the authors before, during and after the evaluation process.

PUBLICATION ETHICS

Author’s Responsibilities

The Authors warrant that their manuscript is their original work, that it has not been published before and is not under consideration for publication elsewhere.

It is the responsibility of each author to ensure that papers submitted to the Conference are written with ethical standards in mind. Authors affirm that the article contains no unfounded or unlawful statements and does not violate the rights of third parties. The Publisher will not be held legally responsible should there be any claims for compensation.

Reporting Standards

A submitted manuscript should contain sufficient detail and references to permit reviewers and, subsequently, readers to verify the claims presented in it. A deliberate presentation of false claims is a violation of ethical standards. Authors are exclusively responsible for the contents of their submissions and must make sure that they have permission from all involved parties to make the data public.

Authors wishing to include figures, tables or other materials that have already been published elsewhere are required to obtain permission from the copyright holder(s). Any material received without such evidence will be assumed to originate from the authors.

Authorship

Authors must make sure that all contributors who have significantly contributed to the submission are listed as authors. If persons other than authors were involved in important aspects of the research project and the preparation of the manuscript, their contribution should be acknowledged in a footnote or the Acknowledgments section.

Acknowledgment of Sources

Authors are required to properly cite sources that have significantly influenced their research and their manuscript. Information received in a private conversation or correspondence with third parties, in reviewing project applications, manuscripts and similar materials, must not be used without a written consent of the information source.

Plagiarism

Plagiarism, where someone assumes another’s ideas, words or other creative expressions as their own, is a clear violation of scientific ethics. Plagiarism may also involve a violation of copyright law, punishable by legal action. Plagiarism includes the following:

Word for word, or almost word for word copying, or purposely paraphrasing portions of another author’s work without clearly indicating the source or marking the copied fragment;

Copying equations, figures or tables from someone else’s paper without properly citing the source and/or without permission from the original author or the copyright holder.

Please note that all submissions are thoroughly checked for plagiarism. Any paper which shows obvious signs of plagiarism will be automatically rejected.

Conflict of Interest

Authors should disclose in their manuscript any financial or other substantive conflicts of interest that might have influenced the presented results or their interpretation.

Fundamental Errors in Published Works

When an author discovers a significant error or inaccuracy in their own published work, it is the author’s obligation to promptly notify the Proceedings editor or Publisher and cooperate with the Editor to retract or correct the paper. By submitting a manuscript, the authors agree to abide by the Conference Proceedings policy.

PEER REVIEW

The submitted manuscripts are subject to a peer review process. The purpose of peer review is to assists the Editorial staff in making editorial decisions and through the editorial communications with the author, it may also assist the author in improving the paper.

The peer review process is usually completed within one month.

The choice of reviewers is at the discretion of Editorial staff. The reviewers must be knowledgeable about the subject area of the manuscript; they must not be from the author’s own institution, and they should not have recent joint publications with any of the authors.

In the main review phase, the Editor sends submitted papers to 2 experts in the field. The reviewers’ evaluation form contains a checklist to help reviewers cover all aspects that affect the decision regarding acceptance/rejection of a submission. In the final section of the evaluation form, the reviewers must include observations and suggestions aimed at improving the submitted manuscript; these are sent to authors, without the names of the reviewers.

All the reviewers of a manuscript remain anonymous to the authors before, during and after the evaluation process. All the reviewers of a paper act independently and they are not aware of each other’s identities. If the decisions of two reviewers are not the same (accept/reject), the Editor may assign additional reviewers. During the review process, the Editor may require authors to provide additional information (including raw data) if this is necessary for the evaluation of the scholarly merit of a manuscript. These materials shall be kept confidential and must not be used for personal gain.

REVIEWERS’ RESPONSIBILITIES

Reviewers are required to provide written, competent and unbiased feedback in a timely manner on the scholarly merits and the scientific value of a manuscript.

The reviewers assess a manuscript for the compliance with the profile of the Proceedings, the relevance of the investigated topic and applied methods, the originality and scientific relevance of information presented in the manuscript, presentation style and scholarly apparatus.

Reviewers should alert the Editor to any well-founded suspicions or the knowledge of possible violations of ethical standards by the authors. Reviewers should recognise relevant published works that have not been cited by the authors and alert the Editor to substantial similarities between a reviewed manuscript and any manuscript published or under consideration for publication elsewhere if they are aware of such issues. Reviewers should also alert the Editor to a parallel submission of the same paper to another journal or proceedings, in case they are aware of such.

Reviewers must not have a conflict of interest with respect to the research, the authors and/or the funding sources for the research. If such conflicts exist, the reviewers must report them to the Editor without delay.

Any selected reviewer who feels unqualified to review the research reported in a manuscript or knows that its prompt review will be impossible should notify the Editor without delay.

Reviews must be conducted objectively. Personal criticism of the author is inappropriate. Reviewers should express their views clearly with supporting arguments.

Any manuscript received for a review must be treated as a confidential document. Reviewers must not use unpublished materials disclosed in submitted manuscripts without the express written consent of the authors. The information and ideas presented in submitted manuscripts shall be kept confidential and must not be used for personal gain.

RETRACTION POLICY

Legal limitations of the Publisher, copyright holder or author(s), infringements of professional ethical codes, such as multiple submissions, bogus claims of authorship, plagiarism, fraudulent use of data or any major misconduct require retraction of an article. Occasionally, a retraction can be used to correct errors in submission or publication. The main reason for withdrawal or retraction is to correct the mistake while preserving the integrity of science; it is not to punish the author.

OPEN ACCESS POLICY

Conference Proceedings are open access proceedings. All articles can be downloaded free of charge. No fee will be charged at submission, reviewing and in production stages.

Self-Archiving Policy

Conference Proceedings allow authors to deposit Publisher’s version/PDF in an institutional repository and non-commercial subject-based repositories or to publish it on author’s personal website (including social networking sites, such as ResearchGate, Academia.edu etc.) at any time after publication. Full bibliographic information (authors, article title, journal title, volume, issue, pages) about the original publication must be provided.

Copyright

Authors retain copyright of the published papers and have the right to use the article in the ways permitted to third parties under the Editorial staff. Authors grant to the Publisher the right to publish the article to be cited as its original publisher in case of reuse, and to distribute it in all forms and media.

DISCLAIMER

The views expressed in the published works do not express the views of the Editorial Staff. The authors take legal and moral responsibility for the ideas expressed in the articles. The Publisher shall have no liability in the event of the issuance of any claims for damages. The Publisher will not be held legally responsible should there be any claims for compensation.

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