free-hand drawing and painting of textile images and computer-assisted design and producing textile images on the Jacquard loom, shaping visual communication, development process from initial idea to the final realisation of the project, logotype, comprehensive graphic image.
expanding knowledge of solving design issues; distinguishing user-specific collections for industrial and boutique production with regard to the targeted consumer group; development of a collection for special needs; the conclusion of each project is an internal presentation.
visual and artistic, sensory and psychological perceptions and articulation of 2D and 3D forms in space; the roles of contrast and assimilation; the laws of organising the field of vision; semantics and semiotics; interdependence between sign and meaning; simulacra and simulations in various artistic languages; morphology and artistic syntax; basics of artistic composition in modern ... Read more
relationship between design and technology; factors that influence the planning process, preparation and production of collections of textiles and clothing; planning strategy, preparation and production of collections of textiles and clothing; planning schedules of the production of a prototype/trade/marketing collection; principles and systems in selecting and optimising a collection of textiles and clothing; ensuring quality ... Read more
computer drawing and painting of fashion sketches, textile patterns, collage, textile fashion blueprints for clothing, producing abstract textile images, the use of digital photography in preparing public and internal presentations, the use of computer-assisted visualisation in presentation.
expanding knowledge of solving design issues, testing a concept on experimental and production models, with the knowledge of modelling; determining materials, colours, patterns and textures in terms of the desired visual effect; project work by linking already acquired knowledge with the development of new knowledge.
current individual orientation with the possibility of implementation in practice; the project investigates theoretical-artistic, market-economic, historical, technological-productional and civilisational-cultural guidelines; the concept develops between artistic transformation and technological experimentation; internal and public presentation.
Art in textile production with emphasis on the 20th century; its meaning in fine arts and connection to architecture; centres and current events; the meaning of ornament and its placement in an environment; production project work in connection with technological objects.